Location:
Tisch School of the Arts/Dept. of Cinema Studies, 721 Broadway, 6th Floor
Moving Image Archiving and Preservation students present their thesis projects, which consider a wide range of preservation issues, such as the aesthetic/ethical considerations of preserving experimental film works, the development of new strategies for preserving file-based video work and its metadata throughout its life cycle, and the political/ethical pitfalls associated with international initiatives that help digitize the audiovisual heritage of post-colonial African countries, to name only a few.
Wednesday, April 14th
9:30am / Siobhan Hagan (rm. 648)
Chesapeake Baywatch! Life Guarding Regional Television Airwaves, Featuring the WJZ-TV Collection at the University of Baltimore
5:00pm / Stefan Elnabli (rm. 648)
Lowbrow Longevity: An Examination of Commercial Video Distribution’s Unique Role in the Preservation of Independent Exploitation Horror Film
7:30pm / Andy Uhrich (rm. 648)
“…maybe the horse will learn to sing!”: Preserving the Computer Files of Hollis Frampton and the Digital Arts Lab
Thursday, April 15th
9:30am / Jennifer Blaylock (rm. 648)
Reproducing History: Colonial Discourses & Digital Silences in African Audiovisual Archives
5:00pm / Joseph Gallucci (rm. 674)
Reading Jeremy Blake: Issues of Access and Preservation to Born-Digital Artists' Archives in a Multi-Institutional Context
Friday, April 16th
9:30am / Walter Forsberg (rm. 648)
Averting the Lost Highway: Archival Advocacy and Migration Strategies for the Country Music Hall of Fame and Museum's 1-inch Type C Videotape Materials
12:30pm / Sandra Gibson (rm. 648)
A Case Study: Internal System by Coleen Fitzgibbon
3:00pm / Jonah Volk (rm. 648)
A Producer's Guide to Preserving File-Based Digital Video
